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LAST YEAR'S
TABLE MEETINGS
Rm. 320 [A1]
The Romanian Theatre Director "Radu Afrim" and his Fabric of Fragility
CRISTINA RUSIECKI (Romania)
Rm. 321 [A2]
B-Floor Theatre -
Trance: The (Un)governed Body
TEERAWAT MULVILAI
B-Floor Theatre (Thailand)
Rm. 322 [A3]
'Participation' and Its Discontent - Practices in Navigation
CHIEN-HAN HUNG
Co-coism (Taiwan)
Rm. 323 [A4]
Rm. 320 [B1]
Character Lab and Crossing Borderline
PARNRUT KRITCHANCHAI & JATURACHAI
SRICHANWANPEN
Sudwisai Club (Thailand)
Rm. 323 [B4]
What do the Producers Need for International Capacity Development?
Korean Foundation for International Cultural Exchange (KOFICE)
Rm. 320 [C1]
Tua-Tiu-Tiann International Festival of Arts- Curating and Planning an Independent Art Festival
​
YI-KAI KAO
Tua-Tiu-Tiann International Festival of Arts (Taiwan)
Rm. 321 [C2]
What is MasterClass Studio - Performing Arts School and Learning Space?
ROBIN SCHROETER
MasterClass Studio (Thailand)
Rm. 322 [C3]
Bamboo Entel Music in the Manee Menjadi Ritual: "Icon" for the Talaud Sulawesi North Community
MARIA ARMALITA TUMIMBANG
(Indonesia)
Rm. 320 [D1]
Morphosis - Keeping Traditions in an Evolving Environment
IMRAN MANAFF
Maya Dance Theatre
(Singapore)
Rm. 321 [D2]
A Dialogue on Running a Not-for-Profit Performing Arts Centre
IAN CHOW
The Kuala Lumpur
Performing Arts Centre
(Malaysia)
Rm. 323 [D4]
A Dialogue between the Past and the Present of Korean Music
​
DR. KIM HEE SUN
National Gugak Center (South Korea)
Rm. 323 [E4]
The Relationship between the Audience and Theatre in this Era and How to Work on it
​
THE PRODUCER & I (Thailand)
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